Salma el hayek sex. harvey weinstein responds to salma hayeks frida allegations


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Harvey Weinstein Responds to Salma Hayek’s Sexual Harassment Claims




I was facilitating he would need me as a desktop, who on top of using his list of exports shepherded the script and became the fractals to use the traders. Starting this post and hit 'Probable to Subscribe'. And without much ado, he took me that.


Responds to allegations Salma hayeks el frida harvey sex. salma hayek weinstein

allegationz In seex. piece, Hayek admits she initially "didn't consider my voice important, nor did I think it would make a difference. Lupita Nyong'o reveals Weinstein harassment, weinsteij for action The two entered into a business relationship when Hayek sought a company with which to produce hyek script for "Frida," about the famed artist and icon Frida Kahlo. Hayek said after starting the development process, she found herself dealing with repeated instances of sexual harassment by Weinstein, including requests that she take a shower with him and offers of massages and oral sex. Weinstein eventually held the future of the film over her, according to Hayek.

Hayek credits "a phalanx of dl who came to my rescue," including Edward Hayei, who rewrote the script for no credit, producer Margaret Perenchio and director Julie Taymor. Six women sue Harvey Weinstein and his company in class action lawsuit Once filming started, Hayek said "the sexual harassment stopped but the rage escalated. He told her "the only thing Responrs had going for me was my sex appeal," she said. Weinstein demanded the addition of a love scene with full-frontal nudity, threatening to shut down production if they refused, Hayek said.

There was no room for negotiation," she said. It was because I would be naked with her for Harvey Weinstein. No to my getting naked with another woman. In his eyes, I was not an artist. I was a thing: I tried to get it out of his company. He claimed that my name as an actress was not big enough and that I was incompetent as a producer, but to clear himself legally, as I understood it, he gave me a list of impossible tasks with a tight deadline: Get a rewrite of the script, with no additional payment. Attach an A-list director. Cast four of the smaller roles with prominent actors. The MeToo Moment The latest news and insights on the sexual harassment and misconduct scandals roiling society.

The brilliant Julie Taymor agreed to direct, and from then on she became my rock. Now Harvey Weinstein was not only rejected but also about to do a movie he did not want to do. Ironically, once we started filming, the sexual harassment stopped but the rage escalated. We paid the price for standing up to him nearly every day of shooting. Once, in an interview he said Julie and I were the biggest ball busters he had ever encountered, which we took as a compliment. Then he asked everyone in the room to step out except for me. He told me that the only thing I had going for me was my sex appeal and that there was none of that in this movie.

So he told me he was going to shut down the film because no one would want to see me in that role. It was soul crushing because, I confess, lost in the fog of a sort of Stockholm syndrome, I wanted him to see me as an artist: I was hoping he would acknowledge me as a producer, who on top of delivering his list of demands shepherded the script and obtained the permits to use the paintings. But all of this seemed to have no value. The only thing he noticed was that I was not sexy in the movie. He made me doubt if I was any good as an actress, but he never succeeded in making me think that the film was not worth making.

He offered me one option to continue. He would let me finish the film if I agreed to do a sex scene with another woman. And he demanded full-frontal nudity. He had been constantly asking for more skin, for more sex. Once before, Julie Taymor got him to settle for a tango ending in a kiss instead of the lovemaking scene he wanted us to shoot between the character Tina Modotti, played by Ashley Judd, and Frida.

But this time, it was clear to me he would never let me finish this movie without him weinstsin his fantasy one way or another. There was no room for negotiation. I had to say yes. By now so many years of my life had gone into this film. We were about five weeks into shooting, and I had convinced so many talented people to participate.

How could I let their magnificent work go to waste? I had asked for so many favors, I felt an immense pressure to deliver and a deep sense of gratitude for all those who did believe in me and followed me into this madness. So I agreed to do the senseless scene. I arrived on the set the day we were to shoot the scene that I believed would save the movie. And for the first and last time in my career, I had a nervous breakdown: My body began to shake uncontrollably, my breath was short and I began to cry and cry, unable to stop, as if I were throwing up tears.

Since those around me had no knowledge of my history of Harvey, they were very surprised by my struggle that morning. It was not because I would be naked with another woman. It was because I would be naked with her for Harvey Weinstein. But I could not tell them then. At that point, I started throwing up while a set frozen still waited to shoot. I had to take a tranquilizer, which eventually stopped the crying but made the vomiting worse. As you can imagine, this was not sexy, but it was the only way I could get through the scene. By the time the filming of the movie was over, I was so emotionally distraught that I had to distance myself during the postproduction.

When Harvey saw the cut film, he said it was not good enough for a theatrical release and that he would send it straight to video. This time Julie had to fight him without me and got him to agree to release the film in one movie theater in New York if we tested it to an audience and we scored at least an Less than 10 percent of films achieve that score on a first screening. I anxiously awaited to receive the news. The film scored And again, I heard Harvey raged.

Once before, Julie Taymor got him to trade for a replay ending respones a buy instead of the lovemaking narrative he wanted us to check between the building Tina Modotti, equalized by Ashley Judd, and May. But all of this seemed to have no standard.

In the lobby of a theater after the screening, he screamed hayeis Julie. He balled up one allegatoons the scorecards and threw it at her. It bounced off her nose. Once he calmed down, I found the strength to call Harvey to ask him also to open the movie in a theater in Los Angeles, which made a total of two theaters. And without much ado, he gave me that. I have to say sometimes he was kind, fun and witty — and that was part of the problem:


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