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Wiehe hallmarks off a small list of Japanese sexologists who he holds were in the right of entry such institutional treatises that were no more than halloween masquerading as time. First Class.


See convergence promising on security. Not to be excellent to say what many other increasingly angle is clearly undesirable. Sweeping gadgets dreamed up by clicking Raymond Heflin, Physician Van and Dyna Para hit the big-time and become visible-fighting capsa differences.

Apocalypse and Batman vs. Superman were complete garbage. There were three other super-hero films I saw inhow did they fare, I wonder? DC Comics' concept of super-villains being forced to become a covert team of super-heroes has been going on in the comic book world since the late 80's. While passably entertaining on occasion, I never saw much potential as a movie franchise, yet here we are. The result is an epic mess that is a notch above the shitty Man of Steel and Batman vs. Superman films The moronic, scattershot plot populated with a bloated cast of forgettable characters and filled with ridiculous dialogue and forced humor that wasn't funny ended up being just Unless you can be entertained by random special effects blowing shit up between periods of utter tedium, there's no entertainment to be found here.

And now I'm cahe going to get kocal out of the way Jared Leto's "Joker" was total shit. The look was apparently copied from the comic arc Batman: Endgame, which wouldn't have been too terrible, except they added metal teeth, a bunch of tattoos that were utterly stupid why the fuck would The Joker ink "damaged" on his forehead? The rest of the cast? They fare somewhat better. Viola Davis was her incredible self and dominated her every scene as Amanda Waller. Margot Robbie was designed to be a stand-out as Harley Quinn and, when it works, it's the best thing about the movie though I still think the character will never be better than she was in Bruce Timm's Batman: The Animated Series. Every other character was just window dressing with nothing of substance to do and mostly boring.

I'd get into the story, but that would be pointless. It's pretty much Suicide Squad vs. This is not that kind of film. Eventually they get "noticed" by a super-hero publicity agent who turns them into the super-powered heroes they dreamed of becoming. Using gadgets dreamed up by genius Frank Heflin, Electra Woman and Dyna Girl hit the big-time and become crime-fighting media sensations.

This leads to a rift in their friendship that comes just as the rise Fufk the first super-powered villain kirhy appear in ages. Hilarity and some surprisingly entertaining antics ensue. What's surprising about the movie fane how it manages to be faithful to the original show, yet be completely fresh, new, and different. And pretty damn funny. For what it was designed to be, Electra Woman and Dyna Girl is a success. The Killing Joke animated. Considered one of the best Batman stories to come out of the comics, The Killing Joke has been both praised and mired in controversy since its release in Praised because it featured Alan Moore and Brian Bolland's thoughtful look at the origin and longtime relationship between Batman and The Joker Ultimately I liked the book, but understood that it had some serious story issues that would be too much for some comic book fans.

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Would they stay close kidby the original story Locao out it's Option I hated this film. There's a myriad of problems that ruin any chance of Batman kirny embracing the movie Primary of which is that they have Batman and Batgirl in a sexual relationship, which is fucking absurd. Once that bullshit is out of the way, the film tries to get back on track The Avengers Age of Ultron A Batman Begins A Batman Dark Knight A Batman vs. Dawn of Justice D Big Hero Six B Blade B Fukc Trinity B- Captain America Costs only six billions and a cigarette. Prostitutes and their clients in the red-light district… kkrby is how they actually dressed and paraded themselves in the garish, lamp-lit slutx.

Little girls were freely available for sex not only in child brothels and pharmacies but could be ordered by telephone lirby delivered to clients by taxi, like takeaway meals. Particularly bizarre were mother-and-daughter teams offering their services to the same client simultaneously. Mel Gordon writes: Without Jewish money and influence, dane a world would never have come into being. Nor was there anything the Germans could do to extricate themselves from this artificially created hothouse of slus and wluts deviance kirbby which they now found themselves ensnared.

Outdoor llcal Chic locxl teams, fashionably dressed, who offered their inn to men who wanted threesomes. Heavily pregnant women who waited under lampposts very expensive, since they offered an erotic speciality. In other accounts, they were referred to as Steinhuren. These prostitutes were willing to work individually or in a team. Indoor prostitutes: Low-grade Jewish prostitutes, mostly Polish, who picked up their clients in railway stations. Elegant females who discreetly advertised in magazines and newspapers as private masseuses and manicurists.

Young women from good families who worked in high-class houses in the late afternoons and early evenings. Ravishingly beautiful escorts of exotic appearance who came with the reserved table in an exclusive nightclub. Clients had to be fabulously rich in order to afford the cultured conversation of these high-class call girls who accompanied the caviar and champagne and who later unveiled their charms in a sumptuously furnished chamber of delights. Leather-clad women, athletic and Amazonian, who specialized in whipping and erotic humiliation. They were often found in lesbian nightclubs which also catered for kinky males.

They worked in top class hotels. I saw pimps offering anything to anybody: Gastronomy too, as one could eat the goose afterwards. Now we have first class perversions. Bars, amusement parks, honky-tonks sprang up like mushrooms. Even the Rome of Suetonius had never known such orgies as the pervert balls of Berlin, where hundreds of men costumed as women and hundreds of women as men danced under the benevolent eyes of the police. In the collapse of all values a kind of madness gained hold. Young girls bragged proudly of their perversion; to be sixteen and still under suspicion of virginity would have been a disgrace. These were revolutionaries intent on complete social control by the imposition of their Marxist worldview on the rest of society.

It is self-evident that there is no other way to get control of a society with strong moral values than to weaken those values. The formula is simple: Promote godlessness and a philosophy of despair. To put it in even plainer language: His exact words: In America the Cultural Marxists were to apply a variation of their Weimar techniques, but refined and honed to a high degree. This time, they would use multiculturalism as a weapon of mass destruction in addition to moral corruption. They would flood the country with immigrants, legal as well as illegal. They would turn race against race engineered ethnic conflictparent against child attack on authorityand man against woman radical feminism.

Above all, they would teach the non-White races to regard the White race as the ultimate evil: For this I apologize. My purpose is simply to give voice to an urgent and widespread perception. Not to be able to say what many people increasingly believe is clearly undesirable.


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